UPPCL Recruitment Previous Year Papers

I have applied for the Uttar Pradesh Power Corporation Ltd. (UPPCL) Junior Engineer recruitment examination and for the preparation of this exam, I want to know about the exam pattern of it so can you please provide me its Previous Year Papers so that I can know about it?

I want the Previous Year question Paper of Uttar Pradesh Power Corporation Limited (UPPCL) Stenographer Grade III Recruitment Exam so can you provide me?

[shikha]

I am providing you the Previous Year question Paper of Uttar Pradesh Power Corporation Limited (UPPCL) Stenographer Grade III Recruitment Exam

UPPCL Stenographer Grade III Recruitment Exam question Paper

FOR QUESTION NUMBERS 1-10 READ THE PASSAGE
AND TICK THE BEST OPTION:
COKETOWN, to which Messrs.Bounderby and Gradgrind now
walked, was a triumph of fact; it had no greater taint of fancy in
it than Mrs.Gradgrind herself. Let us strike the key-note, Coketown,
before pursuing our tune.
It was a town of red brick, or of brick that would have been red if
the smoke and ashes had allowed it; but as matters stood, it was
a town of unnatural red and black like the painted face of a
savage. It was a town of machinery and tall chimneys, out of
which interminable serpents of smoke trailed themselves for ever
and ever, and never got uncoiled. It had a black canal in it, and a
river that ran purple with illsmelling dye, and vast piles of
building full of windows where there was a rattling and a
trembling all day long, and where the piston of the steam-engine
worked monotonously up and down, like the head of an elephant
in a state of melancholy madness. It contained several large
streets all very like one another, and many small streets still
more like one another, inhabited by people equally like one
another, who all went in and out at the same hours, with the same
sound upon the same pavements, to do the same work, and to
whom every day was the same as yesterday and to-morrow, and
every year the counterpart of the last and the next.
These attributes of Coketown were in the main inseparable from
the work by which it was sustained; against them were to be set
off, comforts of life which found their way all over the world, and
elegancies of life which made, we will not ask how much of the
fine lady, who could scarcely bear to hear the place mentioned.
The rest of its features were voluntary, and they were these.
You saw nothing in Coketown but what was severely workful. If
the members of a religious persuasion built a chapel there - as
the members of eighteen religious persuasions had done - they
made it a pious warehouse of red brick, with sometimes (but this
is only in highly ornamental examples) a bell in a birdcage on
the top of it. The solitary exception was the New Church; a
stuccoed edifice with a square steeple over the door, terminating
in four short pinnacles like florid wooden legs. All the public
inscriptions in the town were painted alike, in severe characters
of black and white. The jail might have been the infirmary, the
infirmary might have been the jail, the town-hall might have been
either, or both, or anything else, for anything that appeared to the
contrary in the graces of their construction. Fact, fact, fact,
everywhere in the material aspect of the town; fact, fact, fact,
everywhere in the immaterial. The M'Choakumchild school was
all fact, and the school of design was all fact, and the relations
between master and man were all fact, and everything was fact
between the lying-in hospital and the cemetery, and what you
couldn't state in figures, or show to be purchasable in the
cheapest market and saleable in the dearest, was not, and never
should be, world without end, Amen.
1. As used in this passage, factmeans most nearly the
a. true b. unconcerned
c. functional d. none of the above
2. The point of view of the passage is that of
a. a sardonic and omniscient observer
b. an objective and omniscient observer
c. an uninvolved minor character with restricted vision
d. none of the above
3. The metaphor of the key-note in the first paragraph indicates
chiefly that
a. Coketown was probably a one time a happy place
b. the description of Coketown is a digression from the main
subject
c. one needs to know more about Coketown to understand
and appreciate Mrs.Gradgrind
d. none of the above
4. In the 2nd para "serpents" is used primarily as
a. a sign that pride leads to a fall
b. an emblem of industrial blight
c. a symbol of the creeping progress of industry
d. none of the above
5. In the second paragraph, which qualities of the town
receive the greatest emphasis?
a. Its savagery and incipient wickedness
b. Its apathy and sameness of colour
c. Its dinginess and predictability
d. none of the above
6. The third paragraph links what comes before and what
follows by which of the following pairs of words?
a. "attributes" and "comforts"
b. "world" and "features"
c. "inseparable" and "voluntary"
d. none of the above
7. The parody at the very end of the passage does which of the
following?
a. Suggests a hidden hope.
b. Adds irony.
c. Ignores the hypocrisy prevalent.
d. none of the above
8. Which of the following functions as the unifying element for
the passage?
a. The repetition of the word
b. The animal imagery
c. The reference to the spiritual life of the town
d. none of the above
9. Which of the following best describes the overall method of
development in the passage?
a. Progression by the repeated used of thesis and antithesis
b. General statement followed by specific illustrations
c. Progression from the literal to the symbolic
d. none of the above
10. The passage can best be described as
a. a personal essay commenting on the social environment
b. a character sketch with political overtones
c. a social commentary within a work of fiction
d. none of the above
FOR QUESTION NUMBER 11-20 READ THE POEM
AND TICK THE BEST OPTION
A Dialogue Between the Soul and the Body
Andrew Marvell
SOUL
O who shall, from this dungeon, raise
A soul enslav'd so many ways?
With bolts of bones, that fetter'd stands
In feet, and manacled in hands;
Here blinded with an eye, and there
5
Deaf with the drumming of an ear;
A soul hung up, as 'twere, in chains
Of nerves, and arteries, and veins;
Tortur'd, besides each other part,
In a vain head, and double heart.
10
BODY
O who shall me deliver whole
From bonds of this tyrannic soul?
Which, stretch'd upright, impales me so
That mine own precipice I go;
And warms and moves this needless
frame, 15
(A fever could but do the same)
And, wanting where its spite to try,
Has made me live to let me die.
A body that could never rest,
Since this ill spirit it possest.
20

For complete paper here is the attachment